Shubert family

The Shubert family was responsible for the establishment of Broadway theaters in New York City's famed Theater District, in Midtown Manhattan as the hub of the theatre / live entertainment industry in the United States. Through their Shubert Organization, founded by brothers Lee, Sam S., and Jacob J. Shubert, they dominated the legitimate theatre and vaudeville venues in New York City and the United States in the first half of the 20th century, succeeding to the earlier dominance of the Theatrical Syndicate (Klaw-Erlanger group) of Marc Klaw (1858-1936), and A.L. (Abraham Lincoln) Erlanger (1859-1930).

History

The family's history in America began when Duvvid Schubart (transliterated to "Shubert") and his wife Katrina (Gitel) Helwitz left their native town of Vladislavov in the old Russian Empire (now located geographically Kudirkos Naumiestis, Lithuania) with their eight children, two of whom died shortly after after the westward journey. They arrived crossing the Atlantic Ocean on the passenger steamer S.S. Spain to New York City from Hamburg in the newly-unified German Empire, via England, on June 12, 1881. on the trans-Atlantic passenger steamer S.S. Spain. They then journeyed up the Hudson River and settled upstate in Syracuse, New York.

Due to their father Duvvid's unfortunate alcoholism, the three Shubert sons (Lee Shubert (1871-1953), Sam S. Shubert (1878-1905), and Jacob J. Shubert (c.1879-1963), had to give up much of their formal education and instead go to work when they were still children. Lee and Sam sold newspapers outside the Bastable Theater, and its David Belasco took notice of Sam and cast him in a small role in a play. Sam became enamored with the theatrical arts and went on to be promoted through a series of managerial jobs in local Syracuse theatres, including program boy at the Bastable, assistant treasurer at the Grand Opera House, and treasurer of the Weiting. Lee and Jacob also began working in management roles in various surrounding theatres, and by the year 1900, the trio had acquired ownership of the Grand Opera House in Syracuse and the Herald Square Theatre in Manhattan, back in New York City.

The three brothers broke the monopoly on the theatre-management industry (represented by the earlier Theatrical Syndicate under A.L. ("Abe" / Abraham Lincoln) Erlanger and Marc Klaw) in the founding of their agency, known today as The Shubert Organization. By 1924, they owned 86 theatres in the United States, and operated, managed, or booked for hundreds more. By two decades later in 1942, during the Second World War, they owned, leased, or managed 20 of New York City's then approximately 40 legitimate theatres venues and controlled some 15 more in other cities. By elder Shubert brother Lee's death in 1953, they had produced 600 shows under their credits and had booked 1,000 shows into their numerous theatres. In 1950, the U.S. federal government and its U.S. Department of Justice took the Shuberts and Shubert Organization to federal court, alleging that their business practices violated antitrust laws. Three years later, in 1955, the U.S. Supreme Court ruled that they were subject to and in violation of the antitrust laws, so they were forced to sell 12 theatres in six other cities and gave up the booking business, which, until then, had been the heart of their enterprise and bulk of their profits. As of 2024, the continuing Shubert Organization still owns 17 Broadway theatres in New York City, including the Winter Garden Theatre, the Shubert Theatre, and the Imperial Theatre. They also own two theatres outside of New York, the Shubert Theatre in Boston and the Forrest Theatre in Philadelphia. Additionally, they own and operate two off-Broadway facilities in New York City, Stage 42 and a 5-stage facility called New World Stages. They also managed the National Theatre in the national capital federal city of Washington, D.C. until 2013.

Jerry Stagg identifies Lee Shubert as the key partner in the business, telling of how he built the most successful theatrical empire in history. Stagg characterizes the trio as vulgar and uneducated but acknowledges that they made a personal monopoly amassing millions of dollars of profits in the process. Entertainment and popular taste were the goals, rather than the enhancement of the dramatic arts. The Shuberts opened and developed new theatre districts in many major American cities, employing thousands of people over the years. By 1924, they controlled 75 percent of all American theatres, producing 25 percent of all plays. In response, their actors created Actor's Equity as a labor union to counterbalance the Shuberts' power. When the onset of the Great Depression of the 1930s, caused the bankruptcy of the Shuberts' corporate empire in 1933, their advisors urged them to retire and enjoy their accumulated wealth. Instead, the Shuberts sustained their business by pouring their own money into the venture. Thus, according to historian Stagg, the Shubert family almost single-handedly kept legitimate theatre alive in America for decades.

Notable productions

Musical comedies

• Chinese Honeymoon (1902)
• Winsome Winnie (1903)
• The Babes and the Baron (1905)
• The Dancing Duchess (1914)

Revues

• Pioneer Days (1906) featuring Indians, cavalry, baby elephants, and chorus girls, directed by Lee Shubert
• The Passing Show (1912–24), annual musical revue, rivaling Florenz Ziegfeld's Follies.

Operettas

• The Blue Paradise (1915), and other Sigmund Romberg musicals

Family

The Shubert children:

1. Fannie Shubert (1868–1928). From her first marriage to Isaac Isaacs, she had three sons: Jesse Isaacs (1893–1904), Larry Shubert (1894–1965), and Milton Isaacs Shubert (1901–1967). Her second husband was William Weissager.
2. Sarah Shubert (1870–1934). Married to Edward Davidow. No children.
3. Lee Shubert (1871–1953), theatre owner/operator, producer. Married to Marcella Swanson (1900–1973). No children.
4. Sam S. Shubert (1878–1905), producer, writer, director, and theatre owner/operator; died in a Pennsylvania train accident
5. Jacob J. Shubert (1879–1963), producer, director, and theatre owner/operator. From his first marriage to Catherine Dealy, he had a son John Jason Shubert (1908–1962).
6. Dora (Debora) Shubert (1880–1951). From her marriage to Milton Wolf (1881–1955), she had a daughter, Sylvia Wolf Golde (1910–1981)

See also

• The Shubert Organization

Further reading

• Chach, Maryann. Shuberts present, one hundred years of great American theatre (Harry N. Abrams, 2001).
• Hirsch, Foster. The Boys from Syracuse: The Shuberts' Theatrical Empire (Cooper Square Press, 2000).
• Liebling, A.J. Profile, 1939. The Boys from Syracuse. The New Yorker [1]
• McNamara, Brooks. The Shuberts of Broadway: a history drawn from the collections of the Shubert Archive (Oxford University Press, 1990).
• Poggi, Jack. Theatre in America--The Impact of Economic Forces, 1870-1967 (1968)
• Sanjek, Russell. American popular music and its business: From 1900 to 1984 (3 vol. Oxford UP, 1988).
• Stagg, Jerry. Brothers Shubert (Ballantine Books, 1968) ISBN 978-0-345-21789-9
• Westover, Jonas. The Shuberts and Their Passing Shows: The Untold Tale of Ziegfeld's Rivals (Oxford University Press, 2017)
• Vickery, Anthony. "Did the Shuberts Save Broadway? The Corporate Producers." in The Palgrave Handbook of Musical Theatre Producers ed. by Laura MacDonald and William Everett, (Palgrave Macmillan, 2017) pp. 69–82.
• "Shubert Brothers" in Encyclopedia of World Biography (Gale, 1998) online

External links

• Lee Shubert at the Internet Broadway Database
• Official website Shubert Foundation biography
• Official website Shubert Archive